![]() For others, it may come across as a superficial ego project. Overall, it’s a beguiling insight into a woman who continues to forge a path in what is undeniably still a man’s world, and we see glimpses of the endurance and vulnerability we know and respect of Marina.įor her fans, The Space in Between is a beautiful film, that will inspire, if not educate. ![]() It brings to mind Paolo Sorrentino’s satirical Talia Concept from The Great Beauty, who produces precocious soundbites for interviews but is decidedly vague. The expert approach to production values leave it feeling similar to found-footage-style movies like Paranormal Activity, and we’re expected to accept, rather than question or understand.Ībramović’s willingness to explore, as well as her humility, is endearing but is spoilt slightly by the pseudo-intellectualism. We’re provoked to feel and empathise with the dramatic monologues and breathtaking visuals, but there’s an unnerving sense of emptiness to the film. This is, of course, to be expected of a performance artist, but the nature of the theatricality is rather suspect. The irresistible cinematography seems to jar against the “rawness” that we associate with Abramović, as we see her apparently “at one” in a stunning staged tableau overlooking fields and mountains. ![]() While her work is thoughtful and sometimes profound, there remains a cloying melodrama to it. There’s a breathless quality to the atmosphere that leaves you thinking of churches, and it makes an interesting watch, despite not lingering for long in any location. She uses her rich knowledge of performance, art and general life experience to go on a personal journey of self-discovery, seeking the transformative qualities of ritual and dazzling us with brilliant imagery. We follow her on a rambling trip through the Brazilian countryside as she goes in search of herself, seeking to heal her broken heart.Ībramović subjects us to her usual tropes in an attempt to subvert and essentially succeeds. Which sounds easier than so much of what she has put herself through over the years.The darling of the art world, Marina Abramović, showcases her latest foray into cinema, as she explores South America and their vibrant rituals. There is no spirit cooking, but among other things Abramovic provides useful travel advice, should you find yourself, as well, a modern nomad: Eat raw garlic and raw onion, in that order, to kill whatever is inside you that needs killing. The Space in Between is a sincere film, but not without its lighter moments. (Maybe this reminds you of holiday vacation?) Meanwhile, her photographer was running around in the woods taking pictures without his camera. She got naked, had various urgent and involuntary bodily function issues, and had a vision in which she was trapped in a kitchen with an older couple. ![]() There, Abramovic recalled how she took too much ayahuasca - a “horse dose” - after worrying at first that it wasn’t affecting her. She celebrated it publicly at the Guggenheim earlier this month with a group meditation session (noise-canceling headphones were handed out to guests, which made it possible to walk the spiral and take a look at the Agnes Martin exhibition in blessed peace) followed by Anohni (of Antony and the Johnsons) singing a re-gendered rendition of “My Way.” (Her actual birthday was November 30.) Related StoriesĮarlier this week, The Space in Between - which was something of an art-film blockbuster in Brazil when it ran for five months earlier this year, Del Fiol told me - screened at the Museum of the Moving Image in Queens, the day it became available on Vimeo. Like her memoir, Walk Through Walls, and her institute’s various traveling happenings (she brought the circus to Brazil in 2015 after this documentary was shot), it was also a way to organize her legacy as she prepared to turn 70. It introduces you to a vivid assortment of faith healers, shamans, drummers, dancers, and holy sites from across that vast polyglot country - not to mention an adorable and wise 110-year-old woman - all accompanied by Abramovic’s droll, diaristic voice-over. Her new documentary The Space in Between, made with the Brazilian filmmaker Marco Del Fiol, is now available on Vimeo. If you, like Marina Abramovic, consider yourself a “modern nomad” with “no family” (“I go wherever ideas take me”), or perhaps just aspire to be one, especially over the holidays - when you’re stuck with your actual family in the suburbs, arguing over showtimes to take the nieces and nephews to see Rogue One - instead, lock yourself in your childhood bedroom with your laptop and go on a spiritual journey across Brazil with her.
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